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	<title>ClimbingDean Fidelman</title>
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	<link>http://www.climbing.com</link>
	<description>Since 1970</description>
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		<title>Dean Fidelman</title>
		<link>http://www.climbing.com/climber/dean-fidelman/</link>
		<comments>http://www.climbing.com/climber/dean-fidelman/#comments</comments>
		<pubDate>Wed, 30 May 2012 06:26:01 +0000</pubDate>
		<dc:creator>By Jeff Achey</dc:creator>
		
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		<description><![CDATA[Dean Fidelman, 54, grew up in L.A., learned to climb at age 15, and in the 1970s became a member—and the unofficial team photographer—of the Stonemasters. His black-and-white imagery of Bachar, Hill, Long, Sorenson, Yablonski, and the rest of that hardcore SoCal group might be the most celebrated climbing action-portraiture ever done. (See The Stonemasters: [...]]]></description>
			<content:encoded><![CDATA[<p><a class="content-img-link" href="http://static-dev-climbing.s3.amazonaws.com/wp-content/uploads/2012/06/Dean-Fidelman_4344.jpg" rel="group1"><img src="http://static-dev-climbing.s3.amazonaws.com/wp-content/uploads/2012/06/Dean-Fidelman-300_4342.jpg" alt="" height="411" /></a></p>
<div><!--begin paragraph--><strong>Dean Fidelman, 54, grew up in L.A., learned to climb at age 15, and in the 1970s became a member—and the unofficial team photographer—of the Stonemasters.</strong> His black-and-white imagery of Bachar, Hill, Long, Sorenson, Yablonski, and the rest of that hardcore SoCal group might be the most celebrated climbing action-portraiture ever done. (See <em>The Stonemasters: California Rock Climbers in the Seventies</em>, by John Long.) But it is a softer theme that has garnered Fidelman the most notice recently: He is the man behind the climbing world’s very own nude calendar. Since its inception in 1999, <em>Stone Nudes</em> has been the subject of wonder, admiration, vilification, satire, and gossip. Ten years later, <em>Stone Nudes </em>is part of popular climbing culture, and now it’s a book, just out from Long’s Stonemaster Press.</p>
<p><span class="style1">I got into</span> making photos in high school. My photo teacher was an old-time Sierra Clubber—he got me into climbing.</p>
<p><span class="style1">I try to</span> climb at least four or five days a week. I really love to boulder and solo easy routes. It’s the movement that turns me on. I never was into pushing numbers.</p>
<p><span class="style1">I was kicked out</span> of Brooks Institute of Photography after one and a half years. Seems I was too much of a troublemaker.</p>
<p><span class="style1">I&#8217;ve always made</span> nudes and climbing photos, and I guess I wanted to mix the two passions and see the results. I also was a bit tired of making photos for money and wanted to just make some art.</p>
<p><span class="style1">The calendar</span> barely pays for itself. I’ve had a few benefactors through the years: my muse, Elizabeth U., and also Paul Fish at Mountain Gear, who has been the biggest retailer of the calendars for almost 10 years.</p>
<p><span class="style1">My male nudes</span> calendar didn’t do well at all. The images were great, but I guess the public wasn’t ready for it. Strangely, I sell more calendars to women than men, but they seem to buy them for their boyfriends.</p>
<p><span class="style1">The worst reaction</span> I had when I asked someone to pose was almost getting punched out by a jealous boyfriend. I guess he was insulted that I didn’t ask him to pose nude.</p>
<p><span class="style1">Once I was</span> making a photograph of a girl on a boulder in the Merced River in Yosemite. The sun was in her eyes, so she couldn’t see much, which was good. A tour bus of Asians pulled off the road, and there was a stampede of people with cameras trying to get out the door. My model asked what was going on. I replied, “Nothing’s going on, just grab the holds and flag your left leg.” I couldn’t stop laughing.</p>
<p>&nbsp;</p>
</div>
<p><!-- hi jon --></p>
<p>&nbsp;</p>
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