Emily Harrington locks into one of Slice's (5.13d) many cruxes, an obtuse corner at mid-height, Wicked Cave.
Emily Harrington locks into one of Slice's (5.13d) many cruxes, an obtuse corner at mid-height, Wicked Cave.
Slice of Life (5.13d)
Wicked Cave; FA: Kurt Smith, 1992
Kurt Smith’s pumpy Slice of Life, in the Wicked Cave, has the distinction of being Colorado’s first 5.14 rated such, which it certainly was . . . before kneescums. Smith, also a driving force in Colorado’s Clear Creek Canyon (see “Pretty Gneiss,” Climbing Magazine No. 258 p.56) and today a Southeast sales rep for outdoor manufacturers, led the charge in nascent Rifle. Using his Cali big-wall knowledge, he ground-up bolted and then freed pitches almost more quickly than others could repeat them. For reference, a few Smith classics: Community Service (5.11c), Movement of Fear (5.12c), Vision Thing (5.13b), and Cryptic Egyptian (5.13c).
Smith and Pete Zoller made a 1991/1992 midwinter foray to dink in Slice’s initial bolts. From there, Smith whittled away at the line, with its mid-5.13 climbing up to a stopper dyno (V7-ish), followed by slopey 5.12+/5.13-. Smith used zero kneebars and fell at the ‘mo repeatedly; the instant he stuck it on the link, he went chains, skipping clips in a go-for-broke effort. Over the next few years, Slice saw a handful of repeats before Chris Knuth opened Pandora’s kneescum box, using the craft he became known for (jeans, no pads) to find seven knee “encounters”on Slice, including one at the crux.
After a key flake broke down low in the late 1990s its hundreds of pounds barely missing Jim Redo, who was laybacking it Slice fell into disrepair till it was resequenced. Now with Zulu (5.14a) just next door, Slice has entered the linkage mill Slice of Zulu, Piece of Zulu, and Lulu are but three modern iterations.