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In Memory of John Bachar - 1957-2009
Photos by Phil Bard, Rob Robinson, Randy Vogel, Mike Graham, Bill Serniuk, John Gill, Bruce Willey and Werner Braun - On July 5, the climbing world lost one of its greatest icons: John Bachar. The free-spirited Californian was a symbol of American free climbing and free soloing, with a strong traditional climbing ethic. The blonde-haired, surfer-esque and charismatic Bachar will be remembered for many of his earlier achievements, including his daring 1980s free solos of Yosemite routes like Outer Limits (5.10c), New Dimensions (5.11a), Butterfingers (5.11a), Butterballs (5.11c), and later, the sport routes Enterprise (5.12b), in the Owens River Gorge, and The Gift (5.12c), at Red Rocks. Read more.
 
 

John on the first lead of Acid Crack (5.12d) in 1983, Joshua Tree Nat. Park. Photo: Randy Vogel.














 

Photo by Bill Serniuk














 

Bachar on the Yosemite classic Midnight Lightning (V8). Photo by Phil Bard / www.philbard.com














 

John Bachar, Mike Graham and Ron Kauk after the fifth ascent of the Shield, El Cap. From the book "The Stonemasters" California Rock Climbers of the Seventies. Photo courtesy of Mike Graham














 

Photo courtesy Werner Braun Collection














 

Bachar in the mid 1970s at Lost Canyon in Southern Colorado. Photo by John Gill / www.johngill.net














 

Photo courtesy Werner Braun Collection.














 

Bachar's Revenge(5.9). Photo by Christian Pondella














 

A rare roped image, Bombs Over Tokyo on Daff Dome. Photo by Phil Bard / www.philbard.com














 

Clarence Cashner (Cash), Bachar and Jobee. Photo by Bill Serniuk














 

Climbing Magazine Issue No. 192. Photo by John McDonald














 

Climbing Magazine Issue No. 84. Photo by Lanny Johnson














 

John Bachar soloing Crack-a-go-go (5.11c). Photo by Phil Bard / www.philbard.com














 

Photo by Phil Bard / www.philbard.com














 

"I have spent the better part of today staring at a file containing most of the 3000+ images I took of John over the years, thinking at times that it summed up a large part of his life. I'm wrong probably, but at least for me there are many moments of sheer amazement in those images. Moments that certainly define John to some degree. His finesse and grace. His near perfection of the craft. A feeling, on my part, of great honor at getting to be there. " —Phil Bard
Bachar in Dexter Canyon in 1988. Photo by Phil Bard / www.philbard.com














 

"I always liked the way John looked like a phantom in this image. Fingertips 1986" —Phil Bard
Photo by Phil Bard / www.philbard.com














 

Five+Dime, 1982. Photo by Phil Bard / www.philbard.com














 

John on the last pitch of Gripper. Photo by Phil Bard / www.philbard.com














 

John leading a new route right of "The Midas Touch" at Bee Rocks, Chattanooga Tennessee. November, 2008. Photo by Rob Robinson














 

John leading "The Parsifal Mosaic," Bee Rocks, Chattanooga, TN November, 2008. Photo by Rob Robinson














 

John leading "A Good Place To Come" at the Tennessee Wall, Chattanooga, Tennessee. November, 2008. Photo by Rob Robinson














 

John leading "Open Boat Whalers" at the Tennessee Wall, Chattanooga, TN November, 2008. Photo by Rob Robinson














 

Bachar at the Owens River Gorge, January 2009. Photo by Bruce Willey / BruceWilley.com














 

New Dimensions, 1982. Photo by Phil Bard / www.philbard.com














 

On the Lamb. Photo by Phil Bard / www.philbard.com














 

On an early shoot of On the Lamb, with Fire prototypes that were never put in production. Alongside his chalk bag is a toothbrush and his car key. Photo by Phil Bard / www.philbard.com














 

Bachar on the speed bag. Photo by Bill Serniuk














 

An evening jaunt up Rawl Drive. Photo by Phil Bard / www.philbard.com














 

Reed's Direct. Photo by Bill Serniuk














 

Reed's Direct, 1982. Photo by Phil Bard / www.philbard.com














 

John loved the reverb effect in the tunnel near his house in Foresta. 1985 for Outside Magazine. Photo by Phil Bard / www.philbard.com














 

Thank God Ledge, with Peter Croft, just after the rainstorm on the first El Cap/Half Dome one-day, 1986. Photo by Phil Bard / www.philbard.com














 

Training at his place in Foresta, 1985. Photo by Phil Bard / www.philbard.com














 














 
 
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